Easter Display - Preparation

I know this post really doesn't have anything to do with the renovation, but if you keep your eyes peeled you'll see bits of the shed, house and front fence.

At our previous address, the people on our street used to decorate their houses and hold a street party in December. We never bought into the whole 'christmas lights' thing. Instead, over our fifteen years stay on that street, we devised nearly fifteen different displays for our front yard. From a simple paper mache snowman (eminently ironic in our blisteringly hot Aussie christmas season), to the complexity of Rachael's Tears (strong political comment), each and every one of these displays had a message. Some were obvious, others subtle; all of them pushed people to re-evaluate, re-asses, re-think. Maybe change.

This year, we might be in a completely different location and season, but we (that is to say, Slick) decided to take advantage of our street exposure and carry on our tradition. We believe that absolute Truth exists and is so important that it should not be concealed, but revealed for all - whether comfortable for people or not.

It was Thursday the fifth of April. The next day would be so-called 'Good' Friday, the day on which Christians officially remember Christ's death. Inspired by God and orchestrated by Slick, we set out to portray two scenes: Christ's dead body in the tomb and, three days later, the lack of Christ's body in the tomb.

 

First we wrapped Slick snugly in chicken wire. Recycled, of course. (Did you doubt it?)

By the way, notice the stack of recycled palings leaning against the shed? They have been taken off the hands of a local fencer (still in panels), disassembled, de-nailed and stacked, and are currently waiting to be turned into new fence panels.

Looks a bit weird, hey? A friend arrived at a slightly later stage (when he had his hands crossed over his chest), walked down the drive from an angle behind Dad's head and just about freaked out. She saw us all standing and kneeling around a body on the ground and thought he'd had a collapse or something. It was kind of funny because it was an unexpected reaction and yet a close interpretation of the scene we were creating. At least, it was amusing to us because we have a warped sense of humour.

Looks kind of freaky, even though you can tell it's just a wire frame.

Slick and the younger three did the angel wings, which involved a take on an old Slick-developed artistic technique. Rather than creating wire frames, as we have in the past, and semi-melting plastic for the outer covering, Dad used branch off-cuts and the same plastic wrap he used on the stone pillars. (We had used our only chicken wire on the body, you see, and didn't have much plastic hanging round, either.) Necessity is the mother of invention, they say, and it has certainly proved so to us many a time.

Notice that there are new windows installed in two of the laundry walls and that most of the nearest wall has been clad?

On to the next stage: The Wrapping of the Body (with strips of a not-too-stained drop-sheet). Each strip was glued down, but not with a strong glue. This body was to become a life-size representation of Christ's dead body in the tomb.

Slick positioning the first angel's head. This head is plaster, hand carved by Dad for one of our past Christmas displays. Most things from past displays haven't ever lasted more than two years, but this head and another are truly works of art that can and will be preserved. This head was put on the pole for this specific purpose.

You can see, by the way, that some progress has been made on the fence. The front gate used to swing to the left of these panels.

Part Two of the Easter installments coming soon.